Laviea Thomas is an experienced freelance journalist based in London. With an interest in writing about music, culture, film, and entertainment, Laviea’s expertise often lies in exploring niche areas such as the rock and metal scene and championing Black representation in music and journalism.
Her work can be seen in print, digital and broadcast formats, with bylines in NME, The Quietus, Metal Hammer and more. Additionally, she has experience in marketing and social media roles. Both of which have helped develop her SEO writing skills, newsletter curation, weekly calendar ideations and scheduling.
Over the years, Laviea has been an active panellist discussing fundamental conversations in the music industry, such as diversity and inclusion, and the importance of grassroots venues. She has been a panel guest for Kerrang! Focus Wales Festival, Future Yard and more.
Laviea has also been a repeat panel voter for the BRIT Awards, including their 'Rising Star' category. In 2025, she made her debut on the MOBO Awards voting academy. In previous years, she has been on the Heavy Music Awards voting panel.
Between 2024 and 2025, Laviea developed her broadcast journalism skills in on-screen content for Slayer, Boomtown and Download Festival.
With seven years of experience in the music industry, Laviea has gained expertise in journalism, social media, creative copywriting, marketing and music PR.
Hannah Fitzgerald | Global Marketing Manager at Abbey Road Institute
Andrew Martins | Editor at MetalSucks
Artist Bios || Features || Festival Coverage || Reviews || News Shifts || Interviews || Marketing || Panel Talks || Press Releases || Social Media || Newsletter & Playlist Curation
Clash Magazine || Festival Republic || Future PLC || Gal-Dem || Heavy Music Awards || Kerrang! || MetalSucks || MusicTech || Notion Magazine || Screensphere || Sofar Sounds || The Needle Drop || The Forty Five || Wonderland
Laviea's expertise lies in exploring niche areas such as the rock and metal scene, championing Black representation in creative and political spaces, and the importance of saving grassroots venues.